Blending refined aesthetic with startling self-revelation, the author Kevin Breathnach addresses the permeable boundaries between art-history criticism and the intimate common-or-garden. Heralding from Ireland, Kevin contributes to numerous publications, including The Dublin Review, The White Review, Granta and Gorse. From drug-taking, soft porn to reflections on heartbreak and Susan Sontag, the novel Tunnel Vision is a lucid series of essays enticing the reader with self-lacerating honesty and a fair few lies. Unfolding through a street in Palermo, read Kevin’s scintillating essay ‘Via Oddo’, unravelling the erotics of billiards for Extra Extra.